I’ve admired Geraldine Mill’s work for a long time now. I first came across her writing when her story ‘Lick of the Lizard’ won the millennium Hennessy New Irish writer award. Her winning story became the title story for her debut collection of short fiction published by Arlen House in 2005. I reviewed that collection here.
Hellkite, Geraldine’s third short fiction collection published recently by Arlen House, is a powerful and original work that explores the goodness of men, and the cruelty, sometimes indifferent, sometimes hellish, of women to men. There’s a lively, imaginative playfulness in these stories and the abandoning wife in the opening story is further developed in the final story, which allows an exploration of the humanity of the hellkite and frames the collection beautifully. Below, in this review/interview, we explore the many strengths of Geraldine’s collection.
Valerie Sirr: The idea of a collection of hellkites for a book of short fiction is wonderfully inventive. How did the idea come to you? Did you come across the word somewhere, an image? Was it an emerging theme in your work?
Geraldine Mills: The collection didn’t start out like that at all. There was never a moment when I said I was going to write a book about cruel people or about men who have been cruelly treated by women. Like most writers, it is not the way I work. I go with the gut instinct of what is chipping away at my imagination; what will not give me peace until I start to give it some attention; until the image begins to hold.
Thank you Valerie for the time you put into preparing the questions for our interview. I loved getting stuck into those questions that make me consider the craft and why I write. Check out Valerie Sirr's Blog for the the full interview.